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Post by ScintillaMyntan on Feb 7, 2021 1:05:12 GMT -6
What are some themes or motifs that come up a lot in your writing? Maybe it's a message you willfully build in across your pieces, or an image or plot event you keep accidentally coming back to.
Can't find it now, but I've heard of research that looked at the frequency of nature words in English-language novels. The study found that words for plants and birds have declined over the decades, perhaps showing our gradual separation from nature. I'd hope that I use abundant nature imagery. I should probably think to consciously use it more if I don't, and following that to be more aware of nature myself— I'd think having proper sensitivity to the world around would include having a good sense of nature, considering that it has a very strong emotional effect on us when we notice it enough.
Something I noticed shows up a whole lot in my stories is irrational fear. My characters are scared of all sorts of stuff. I feel like irrational fears work very well as characterization or motivation, but they also just come to me often as spontaneous story ideas. It makes sense because I'm an anxious person myself with lots of fears large and small. Actually you could say many of the 'plots' in my real life have been kicked off by some sort of fear.
I also often have characters taking strange actions that are meaningful to them and use symbols and motifs I've already established in the story. Honestly, that one's kind of a crutch at this point. When I don't want to figure out some sort of actual decision, just have the person behave weirdly, right?
And I guess dreams feature a good amount in my stories, mostly because I find them interesting and are also pretty useful for showing what's on someone's mind.
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Post by doublejay9 on Feb 7, 2021 13:37:44 GMT -6
I really relate to the fear bit, Scintilla. I struggle with anxiety too, primarily social. Fear doesn't play a huge role in my stories, but like you said, it is a very useful motivator. Though I tend to write reserved or shy protagonists, reflecting my own approach to social situations (for better or worse). I should stretch out into writing extroverted main characters who are social butterflies. That will be an -- interesting experiment.
The plot event I keep circling back to is the protagonist having some kind of fever dream, either as the result of serious injury or illness. I don't know why; I just like writing dream sequences. All the better if they're thoroughly weird and there seems to be no escape. I'm trying to break away from the fever dream scenario (lest it become cliche), but I doubt I'll ever stop using dreams and visions. Foreshadowing, plot insight, character development -- so much can be concisely conveyed on multiple juicy layers. I can't help it. It's too delicious.
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Post by RAVENEYE on Feb 7, 2021 13:47:53 GMT -6
An interesting bit of research, and really sad, since it's very likely true. Ironic, though, when I consider my frustrations with my own crutches and patterns. Nature, especially animals feature hugely in the majority of my metaphors. I struggle to find comparisons that don't involve animals or water or things like that. So that's one of the motifs I find myself overusing. They work as placeholders though, so I can get on with the draft. But I know I leave too many of them. Ugh. Common topics that pop up in my fiction are things like crises of faith/belief. The heroine in my novella Mists of Blackfen Bog and one of the main characters in my high fantasy series both deal with this. And no doubt it comes from personal experience. And, yes, on the dreams. Dream imagery is so much fun to explore in fiction, and it seems to be useful when expressing what's really troubling a character. It can be annoying when it happens too frequently in the course of a story though. Easily turned into another crutch, I suppose. One of which I'm prolly guilty of. Oh well, it still makes for fun writing.
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