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Post by alliecartman248 on Sept 19, 2022 13:43:58 GMT -6
Moving this here because it fits better. This is a short except of some dialogue from a (realistic, YA) fiction story I wrote. Just looking for general advice to improve it. Not far enough along with the story to give more context of the overall story yet.
I turned to Emily and said, “You know, I really hate people who don’t like movies like this.”
We had To All The Boys I’ve Loved Before playing, quiet enough to not wake my roommate in the bed next to us.
“They have their reasons,” she burst out, the laughter in her voice barely contained and giving me a look that told me she knew those people and talked to them about how bad these movies were quite often.
I loved talking movies and books with friends. Real life was hard for me, the edges too sharp, the risks too high. Made-up worlds offered a gentler option, a safer space to discuss everything.
“Okay, so one of the things people criticize about YA romcoms is that the girls can never tell what they’re experiencing when they get the hots for a guy. But I feel like it’s hard for me to tell the difference between platonic and nonplatonic feelings, and that’s actually a realistic representation.”
Emily paused, contemplating.
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Post by RAVENEYE on Sept 23, 2022 11:49:28 GMT -6
So sorry this fell out of sight and got missed for a bit. I will get to commenting! I turned to Emily and said, “You know, I really hate people who don’t like movies like this.” We had To All The Boys I’ve Loved Before playing, quiet enough to not wake my roommate in the bed next to us. “They have their reasons,” she burst out, the laughter in her voice barely contained and giving me a look (This highlighting/crossing out is to point out why the current phrasing points to the laughter giving the look. Suggest revising to something more like: "... she burst out, her laughter barely contained. She gave me a look that told me she knew "those people.") that told me she knew those people and talked to them about how bad these movies were quite often (dry phrasing, eyes glazed over, attention wandered). I loved talking movies and books with friends. Real life was hard for me, the edges too sharp, the risks too high. Made-up worlds offered a gentler option, a safer space to discuss everything. “Okay, so one of the things people criticize about YA romcoms is that the girls can never tell what they’re experiencing when they get the hots for a guy. But I feel like it’s hard for me (repetitive phrasing) to tell the difference between platonic and nonplatonic feelings, and that’s actually a realistic representation.” Emily paused, contemplating. Overall, I get the impression that this scene falls somewhere in the middle of the story? It doesn't have a "narrative hook" that I can find, which should establish the story's central conflict or some kind of catalyst for it. If this is the beginning of the story, I suggest either backing up a bit in time or pushing it forward to the point where tensions arise, OR kicking it off with a line that foreshadows the conflict that this conversation starts between these friends, something to spur intrigue to keep the reader interested in the content to come. If conflict in the story does NOT involve a difference of opinion between these two friends, then this may not be the proper place to begin the story. On the positive side, the dialog has a natural, believable feel to it, which begins to shape the characters into relatable people. Just in this excerpt I feel that they are well on their way to becoming 3-dimensional. I hope this helps give your revisions some direction. No need to worry about it though until you've finished the draft. Again, so sorry for the delay, Allie. I hope you'll bring more!
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